My second course commitment for December
In my previous post, I said I had committed to two new courses. The first is Blogging 201: Branding and Growth, which was the subject of Monday’s post. Today, I’m discussing the second course commitment, Joan Dempsey’s course on revising fiction. Through the course, she has made some excellent suggestions on determining the revising method that works best for an individual writer. While it’s too late to join her course, you can find the videos on YouTube.
How I Revise
Reading for Story
I start with chapter one and read straight through, making notes on each chapter. I list the characters in the scene and make sure their motives are clear and the scene contains conflict that moves the story forward. Since this is the second book in the series, I need to make sure readers do not have to have read the first book in order to fully understand what is happening and why. At some point, I will need beta readers who have not read the first book to ensure I have reached that clarity. Any volunteers?
Checking Character and Point of View
I am using first person point of view in the Pierce Family Saga. That means I must have an intimate understanding of each character’s background and motives. Some characters, such as Cordelia and Lucy, I know from the first book in the series, Cordelia’s Journey. However, these characters are now four years older. The relationships and world views of the characters have changed. Their biographies need to be updated. Since I wrote For Want of a Father during NaNo with only a general idea of the story, I created characters on the fly, characters I know almost nothing about. During the revision, I will be learning much more about each of the characters and deciding which ones will go on to the third book in the series.
Checking Dialogue and Description
For me, dialogue and description are important tools for conveying character and conflict, so I will work on both as I read each chapter. When it comes to setting, I describe only those things that matter to my point-of-view character. If there is no reason for my character to notice a gun or a fireplace or a team of horses, it will not be in the story. I don’t want to slow down story for the sake of providing details. Every detail is important to what is happening at that moment and/or during the final scenes of the book.
Submitting to my Critique Group
Before submitting revised chapters to my critique group, I try to make the writing as perfect as I can. That doesn’t mean I don’t have faulty sentences and needless repetition. It simply means I try to make the writing the best I can do at that moment, so my critique partners aren’t so distracted by sentence level issues that they can’t feel the story.
Deciding the Number of Revisions
There is no set number of revisions to make. The process is complete only when formatting and sentence level errors have been eliminated, and the joy and sadness, laughter and tears felt by the characters are so clearly depicted that they touch readers’ hearts.
If you are a reader of novels, what makes a story memorable and satisfying for you?
If you are a writer, what are some of your revision methods?
or as a paperback on Create Space.